The typical setting for horror films often includes dark forests, ominous basements, and pitch-black darkness where evil lurks. However, some directors challenge these genre clichés by bringing terror into brightly lit scenes. The most prominent example of this approach is the cult classic Midsommar, where shocking scenes unfold under the blazing Swedish summer sun. Leaving this masterpiece aside, let's explore other films where daylight only amplifies the sense of dread and hopelessness.
Pearl (2022) — Modern Horror in a Classic Wrapper
A young woman named Pearl lives on a farm under the thumb of a domineering mother and dreams of a life filled with glamour and fame. Her psyche gradually unravels as reality and fantasy merge into a bloody nightmare. The vibrant visual style, reminiscent of old musicals and fairy tales, deceives the viewer by creating an illusion of comfort, until darkness seeps through the bright colors. This is a rare case where the aesthetics of Hollywood's Golden Age enhance the impending horror.
Nope (2022) — Don't Look Up
A brother and sister discover something strange in the sky above their family ranch in California. Instead of fleeing, they decide to uncover the mystery and possibly profit from it. But the enigma turns out to be far more terrifying than they could have imagined. Jordan Peele masterfully uses daylight, turning a clear sky into a source of horror. The stunning cinematography emphasizes the scale of the threat, and the climax makes us reconsider how we perceive the space above us.
Train to Busan (2016) — Zombies Love Sunbathing
A father and daughter board a high-speed train to Busan, unaware that their journey will become a deadly race for survival. A zombie virus spreads on board, and safe havens become scarce. Despite the daytime setting, the director creates tension by "compressing" the space around the characters. Here, survival isn't the only focus; human relationships add emotional depth to the film.
The Host (2006) — Daytime 'Godzilla'
Due to the dumping of toxic waste into the Han River, a mutant emerges, abducting a girl from her family. Her relatives embark on a rescue mission despite the authorities' inaction. The initial attack scene occurs in broad daylight, making the creature even more real and frightening. Social satire, masterful direction, and an unusual monster set The Host apart from other films.
Funny Games (1997/2007) — Horror Next Door
Two young men invade a family's home and begin tormenting them in a twisted "game." Viewers become involuntary witnesses to their cruelty. Sunlight and an idyllic setting contrast with the relentless violence. Director Michael Haneke shatters viewers' expectations, making them complicit in the events. The modern version of the film has its flaws, but the final twist is mind-blowing.
These films prove that daylight doesn't shield us from fear. On the contrary, it exposes the most terrifying and vulnerable aspects, forcing us to face nightmares that can't be dispelled by simply turning on a light.
