When I first heard about I'm Still Here, I was immediately drawn to its premise — a family's resilience during Brazil's military dictatorship. Directed by Walter Salles, this film delves deep into a chapter of history that many outside Brazil might not be familiar with.
Set in the early 1970s, the film introduces us to the Paiva family: Rubens, his wife Eunice, and their five children. Their home by the beach in Rio de Janeiro is a haven of warmth and camaraderie. However, their world shatters when Rubens, portrayed by Selton Mello, is abruptly taken by government officials, leaving no trace behind. The narrative centers on Eunice, played by Fernanda Torres, as she navigates the treacherous waters of a society under oppressive rule, all while striving to keep her family intact.
Walter Salles masterfully captures the era's tension and paranoia. His direction ensures that the audience feels the weight of the Paiva family's anguish and determination. The screenplay, penned by Murilo Hauser and Heitor Lorega, is both poignant and unflinchingly honest, shedding light on the personal toll of political turmoil.

Fernanda Torres delivers a tour de force performance as Eunice. Her portrayal earned her the Best Actress award at the 2025 Golden Globe Awards. The depth and nuance she brings to the character resonate profoundly, capturing a mother's unwavering resolve amidst despair. The supporting cast, including Fernanda Montenegro as the older Eunice and Valentina Herszage as their daughter Veroca, enrich the narrative with their compelling performances. The film's visual storytelling, led by cinematographer Adrian Teijido, immerses viewers in the contrasting beauty of Rio's landscapes and the stark realities of the time. Warren Ellis's haunting score further amplifies the emotional gravity, lingering in one's mind long after the credits roll.
At its core, I'm Still Here is a testament to resilience and the unbreakable bonds of family. It challenges viewers to reflect on the consequences of political oppression and the enduring spirit of those who resist it. The film has garnered critical acclaim, including a nomination for Best Picture at the 2025 Academy Awards, marking a historic moment as the first Brazilian film to achieve this honor. It also received nominations for Best International Feature and Best Actress for Torres. With a modest budget of $1.5 million, the film has grossed over $27 million worldwide, underscoring its profound impact.
I'm Still Here is not just a film; it's an experience that educates, moves, and inspires. It's a poignant reminder of the strength of the human spirit in the face of unimaginable adversity.