She didn’t look like other movie stars — and Hollywood never let her forget it. Early in her film career, a journalist casually told Misery breakout Kathy Bates, "You’re not Michelle Pfeiffer.” Her response? A shrug and a familiar sense of resignation. "Well, I’ve always had that," she says now.
In a recent Vanity Fair interview, Bates revisited some of the industry’s more brutal reminders that she didn’t fit the mold. One that still echoes is director Garry Marshall’s refusal to cast her in his film adaptation of Frankie and Johnny in the Clair de Lune — a role she had originated on stage to acclaim. The reason?
"He couldn’t make the leap that people would see me onscreen kissing someone," Bates recalls. "Me actually kissing a man onscreen — that would not be romantic.'
Years later, in one of her favourite roles post-Misery, she filmed a rare, tender romantic scene — only to have the kiss cut from the final version. "That one still stings," she admits. Even her own father once told her hometown acting teacher, "You know, she’s not conventionally attractive."
But Kathy Bates never needed conventional beauty to become unforgettable — she just needed a camera, a script, and the space to be wholly, unapologetically herself.
